Treabar

Tag: SG

  • Between fire and land, her tenacity is like the most stubborn crops in the wild

    The mountain road is rugged and shrouded in smoke, and the rice fields spread out like a mirror, hiding the sound of the river. Ju Fufu does not belong to such a field, but her figure unexpectedly looks natural here. Just like the “popcorn pot”, it is out of place but still alive. To find a way to survive in the wilderness, people always think of that wisp of fire, even if it sways, it will light up the eyes.

    Her “normal attack” is to step on the ridge of the field one by one, stepping on the mud and staining her shoes, but every step is steady. She is not a knight wielding a long sword, but just holding the pot, staggering but holding on. You see her standing by the rice field, the light shines through the gap in the pot lid, and a little firelight flickers. That calmness is the kung fu practiced in the countryside.

    Her “dodge” is not the graceful sword dance in the castle, but using her body to block the flying sand in the biting cold wind, and still being able to turn around on the straw braids. This kind of dodge is the perception of life and the reaction to the present, which teaches her how to find her place in the chaos. Wild dogs bark and sparrows fly away in panic, but she can keep her brows straight.

    Her special skills are like the old well in the village. At first glance, it doesn’t look powerful, but as long as you interact with the well water, you will find that it is a bottomless power. She uses the pot to raise the heat and cuts a knife in the heat, not to kill the enemy, but to destroy the fear and indifference in her heart.

    The joint skills are not a joke, it is the simplest and most primitive cooperation between heaven and earth-the pot touches the ground, and the flames rise. It is a reverence for the land and a call to the heart. The flame is not a thing, but a resonance: you light the pot, I catch the fire, and I pass it on. It is the most like the friendship of crickets singing in unison in the straw pile.

    Her finishing move, two falling attacks, is like late autumn rice bending over and having no more strength. The pot hits the ground, the soil rolls up, the sparks are like moths flying into the fire, and like insects chirping at night. At that moment, she is not hot, but sober, acknowledging the true nature of life – even if it is heavy, it must land with a sound.

    And in the support skills, she will appear when others are the weakest. The adult fell into the ditch, and she appeared behind him. Her hands holding the pot were soaked in mud and water, but she walked over step by step and helped the man up without saying a word. That is the so-called “big fire is hot”, not to return, but instinctively like the land, nurturing everything and taking responsibility for everything.

    Her core skill makes the pot attack automatically, as if she has planted hope in the field, and even if she leaves, there is residual warmth. After she leaves, the fire in the pot continues to fight against termites, waterlogging, and invisible erosion. That is her shadow, left on the land.

    The addition in the imagery is like the story told by the old man in the village meeting, plain but with awe. With one button, the finishing move breaks through; with one push, the persistence of years and years has a qualitative leap. Her light and heat infect the surroundings, allowing her companions’ finishing moves to have a farther voice.

    The story of Ju Fufu is the most common scenery in the village: not gorgeous, but real. She uses fire, pots, and the heat in the ruins to resist flying sand and rocks, cold rain, frost and snow. Her firelight is reflected in the dusk, bringing out the faint fragrance of the straw barn.

    You asked her why? She didn’t answer. But you can see that what she said was: “My pot can be a torch, and my fire can illuminate you.” When people’s hearts are trapped and the land is scorched, this kind of power is not high-profile, but it makes people feel at ease.

    Her life, like crops in the wild, can survive in fire and frost. Even if there is no harvest, there is persistence to grow roots. Ju Fufu is not a hero, she is just alive, with dignity, temperature, and heat. Her flame is like the smoke at dusk in the countryside, ethereal but real; like the wild flowers left in the rice fields, silent but stubborn.

    In the city, the pot may be sold to the exhibition hall; on the battlefield, she may be an unknown behind-the-scenes person. But here, she is the child of the land and the guardian of fire. She uses her skills and flames to connect the land and people’s hearts, hope and reality, and wilderness and home.

    Between fire and land, her tenacity is like the most stubborn crops in the wild. She can become the warmth of the day without making a debut. She can leave a light on the loess without making a high-profile appearance.

  • At the end of the lights, I reconciled with the world, but I still couldn’t forget the pain.

    Life is always a pit, climb out and fall back in. I have warned myself more than once not to set any goals for myself, and to have fewer extravagant demands on life, so that there will be less disappointment. But life never goes according to people’s wishes. Just like those dreams when I was young, I always felt that I was forever young and tireless, until one day, I suddenly realized that I was old. I am too old to expect anything anymore, and I am too old to believe that I can have the kind of enthusiasm that only belongs to young people.

    I have been in this city for many years. The streets are still the same, and the street lights are still on. Whenever night falls, the brightly lit streets become the only thing I can rely on. In fact, sometimes, I don’t particularly enjoy this brightly lit hustle and bustle, but in those quiet late nights, I can find some peace. Under the lights, I am like a passerby, looking ahead with empty eyes, as if waiting for something, but it seems that I am not waiting for anything. For me, dinner, overtime, the way home, almost every moment is the same.

    But I know that life is more than that. Or rather, it is much more than that. Everyone has a monologue about themselves, and I am no exception, but I speak too little. Many times, I prefer silence, and I feel that many words are meaningless. No one will really understand you, and others will only judge who you are based on their own perception of you.

    I often wonder, if I no longer seek understanding from others, what will I become? Maybe I will be more lonely, or maybe I will be freer, who knows?

    However, to be honest, freedom is not as good as imagined. It does not have the warmth of friends, nor the sweetness of lovers. Instead, it gives me more time to dance with loneliness. For me, loneliness is not a bad state, it is more of a choice. Life is always troubled by various factors, pressure at work, disputes in the family, and the little thoughts of friends. Each one pulls you tighter and tighter until you can’t even find the space to take a deep breath.

    At this time, you will suddenly understand that loneliness is actually an inevitable fate. You no longer seek recognition from the outside world, and you begin to get used to talking to yourself. Those love and friendships that you longed for when you were young, in the end, became the most unattainable luxury. I have had several relationships, each of which was somewhat magnificent, but in the end, none of them made it to the end. Sometimes, I wonder, is it because we don’t really understand that the most important thing in a relationship is not the tolerance and tolerance of the other party, but whether we can be tolerant enough to accept the shortcomings of the other party?

    Perhaps, we are all too demanding of perfection. Every relationship is like looking for the “other half” of that life, as if everyone has a preset role to play. In fact, the truth is that there is no perfect love in this world, only the perfect self, and knowing tolerance, understanding, and acceptance is the most lasting guarantee of a relationship.

    Sometimes I think that if I were not so stubborn and stubborn, maybe my current life would not be so confused and tired. I always fantasize that I can get an ideal love, a friend who can talk about everything, and a peace that I have never had somewhere. However, all this is like a dream. Slowly, I learned to draw strength from failure and no longer over-desire things that do not belong to me. Living in the present is my most sincere understanding of life.

    If I were to describe my life in one word, it would be “living”. I just live like this, day after day, year after year, and there seems to be nothing to be proud of, and there is no drama of ups and downs. It’s just that you gradually understand what to cherish and what to let go in your constant attempts.

    I did not pursue perfect love, nor did I demand success in my career. I just thought about how to live a better life, at least to wake up with a relaxed mood every day, not sad for yesterday’s pain, and not afraid of tomorrow’s unknown.

    And all this finally ushered in some subtle changes on an accidental night. That day, it was drizzling outside the window. I walked on the street with some worries, and my thoughts were as messy as leaves blown away by the wind. Suddenly, a voice came from the side. The voice was crisp and warm, as if it floated from a long-lost memory. I turned my head and saw a person standing in the rain, smiling at me.

    I suddenly realized that no matter what the future holds, at this moment, while I am reconciling with the past, I am also slowly accepting reality. This peaceful state of mind cannot be cultivated in a day or two. It comes from every day when I no longer expect or demand anything, and from the courage to stand up from failure every time.

    The most important thing for us to live in this world is not to pursue anything, but to learn to let go and give ourselves enough space to embrace the impermanence of life. This world is never perfect, but we can still find our place in ordinary days. As long as we don’t give up on ourselves, nothing in this world can really defeat us.

    I have taken many detours over the years, stumbled, and lost a lot of things, but I have also gained a lot. In this city, I finally found a quiet corner, let go of my former obsessions, learned tolerance, learned to let go, and learned to reconcile with the world.

    “If life slaps you in the face, fight back with the other hand.” I always say to myself.

    So, I decided to keep going, with a sense of calmness and calmness, towards the next tomorrow.

  • A detailed discussion of the complexity of Xiakong’s development materials in Mingchao and the subtle evolution of players’ mentality

    Among many virtual worlds, the game “Mingchao” has won the favor of countless players with its exquisite graphics and rigorous development system. The five-star resonator Xiakong, which will be launched soon, has a complex development material that reminds people of the desire and struggle described by Mr. Qian Zhongshu in “Fortress Besieged” that “people in the city want to go out, and people outside the city want to come in.” A closer look shows that the crystallized phlogiston, tidal erosion sail core, burning phosphorus bone and even “golden fleece” required for Xiakong’s development are nothing less than a microcosm of modern players’ psychology, and also a rhetorical test of patience and perseverance.

    First of all, if players want to upgrade Xiakong from level 0 to the peak level 90, the complexity of the materials required is staggering. The low-frequency, medium-frequency, high-frequency and even full-frequency tidal erosion sail cores are like layers of radio waves of various frequencies, abstractly but concretely showing the foresight of the game designer. This classification is not only numerous in number, but also a portrayal of the anxiety of the players’ gradual advancement: if you don’t take a steady step, it will be difficult to enter the hall, just like a modern people’s cultivation epic.

    The existence of “Burning Phosphorus Bone” and “Golden Fleece” adds a sense of magical realism. Burning Phosphorus Bone can only be obtained by defeating the Sighing Ancient Dragon, like a rare treasure in the secular world, tempting but dangerous; and “Golden Fleece” seems more like an unattainable ideal, hard to get, and there are limited purchase rules, how strict! The settings of these two undoubtedly create a sense of scarcity and expectations in the game, and also happen to reflect the scarcity and preciousness of resources and ideals in real life. Players are exhausted for this, as if climbing a steep mountain, often feeling powerless, but have to persist, the so-called “you can’t have your cake and eat it too” suffering.

    Looking at the details of the skill materials, they are impure, crudely extracted, distilled, and highly pure crystallized phlogiston, which are progressive layer by layer, like a secret book of alchemy, refining ordinary substances into sacred power. When players continue to swipe these materials, they can’t help but feel subtle: this game is not just entertainment, but more like a spiritual purgatory. In this purgatory, patience and perseverance become the most important alchemy stones, otherwise they will be swallowed by endless repetition and boredom. If there are no auxiliary props such as “Stuffed Meat Tofu”, the swiping process is just like Yugong moving mountains, which is in vain.

    “Iris Blooming Day” as a special material has a poetic symbol. It must be obtained by defeating the weekly challenge “Wheel of Fate Fragment”, just like an extremely precious opportunity in life, fleeting and difficult to capture. Players work hard for this, constantly honing their skills and strategies, just as life is short, only by working hard can you see the flower of hope. This layer of design undoubtedly adds a philosophical flavor to the game: the game is not just a pastime, but also a metaphor for the meaning of life.

    In addition, the design of the game’s economic system must be mentioned. The huge consumption of shells and the complex acquisition of materials form a delicate balance. While players are brushing materials, they are also thinking: time and money, which one is the “real money” in the game? This invisibly touches on an eternal topic in modern life-the limited resources and the helplessness of choice. The so-called Treabar recharge discount in the game is more like a consumption temptation under the market economy, which makes players struggle between spirit and material. They want to save money but are afraid of missing opportunities, just like a microcosm of the real society.

    In general, Xia Kong’s list of materials for cultivation is not just a pile of numbers, but more like a vivid social allegory. It reflects the psychological changes of modern players-from the enthusiasm of entering the game for the first time, to the confusion of facing complex systems, and then to the calmness and introspection of finding strategies and rhythms. This process is undoubtedly quite educational, allowing players to not only improve their game skills, but also learn patience, planning and trade-offs.

    Qian Zhongshu changed his style in Fortress Besieged and compared life to a “fortress besieged”. People inside the fortress want to get out, and people outside the fortress want to get in. The development system of the game is also like a fortress besieged. People outside are deterred, but people inside are deeply trapped and can’t stop. Xia Kong’s material list is the bricks of this fortress besieged, building up the players’ desires and difficulties piece by piece.

    In short, the design of modern games is not only a show of technology, but also a profound reflection of culture and psychology. The complexity of Xia Kong’s development is a microcosm of this phenomenon, reminding us: in a world where virtual and reality are intertwined, patience and wisdom are the keys to freedom and happiness. Such a complex development system may be reminding players that the real game is not just a superficial victory, but inner growth and self-cognition.

  • The sound of the pot lid knocking in the cold winter is the softest cry and watch of life

    On the streets of winter, Ju Fufu gently knocked on the old popcorn pot lid. The crisp sound was like the sound of footsteps on the snow, with a touch of sadness and tenderness. Her hands trembled slightly due to the cold, but she was still firm, as if in this cold season, she played an unnoticed song of life for the city with her own rhythm.

    The sound of the pot lid being knocked was not fast or slow, sometimes clear, sometimes quiet, like the whisper of the breeze blowing through the treetops in winter. In Ju Fufu’s eyes, there was a little light of life, which was the tranquility and warmth after experiencing the wind and frost. She may not be the protagonist of this city, but her existence is like a ray of warm sunshine in winter, gently soothing those lonely and tired hearts.

    The flames jumped gently in the pot, and the popcorn gradually bloomed in the warmth, accompanied by crackling sounds, as if it was a small explosion of life again and again. The firelight is reflected on Ju Fufu’s face, and also reflects the undying hope deep in her heart. She is not unaware of the difficulties of life, but chooses to tell her story in a quiet and powerful way.

    The knocking sound of the pot lid is her response to the cold winter, and even more so her love for life. It is not like a harsh noise, but a soft persistence, like the sound of a mother gently patting her child to sleep, warm and reassuring. Ju Fufu uses this simple rhythm to connect people’s desire for warmth and respect for life.

    Pedestrians on the street hurriedly passed by, perhaps not noticing the gentleness of the knocking sound, but the sound still silently nourishes the corners of the city. It does not have the power to shake the world, but it has the moving feeling of a long stream. Just like those seemingly ordinary flowers in winter, they bloom quietly, but can convey the most authentic warmth of life in the cold.

    The back of Ju Fufu gradually blended into the twilight of winter. Her hardworking hands still tapped the pot cover gently, as if whispering to the world: “Life is bitter, but still beautiful; winter is cold, but there is light in my heart.” This light is her silent persistence, her expectation for the future, and her gentle protection of the present.

    Her story is simple but profound; her voice is weak but cannot be ignored. In this turbulent world, there are too many people like her who silently guard warmth and convey love and hope in their own way. The tapping sound of the pot cover is their silent language and their softest cry.

    At this moment, Ju Fufu is no longer a lonely shadow. She has become the warmest ray of light in life, penetrating the cold and illuminating the heart. She teaches us how to face difficulties and feel the beauty of life with a gentle heart in a complex world.

    Life may not be easy, but as long as there is love and light in your heart, winter will no longer be cold. The knocking sound of Ju Fu Fu is like a quiet poem, gently telling a story about tenacity and warmth, reminding us that in every neglected corner, there is life silently blooming its brilliance.

  • From the complex materials of Mingchao Xiakong, we can see the exploitation and loss of human nature behind modern games

    Games were originally a pastime, a relaxing way to escape from reality. However, in the world of Mingchao today, the development of Xiakong reflects the most profound exploitation and loss of human nature in the modern game industry. Those dense material requirements – 29 low-frequency tidal eclipse sail cores, 40 medium-frequency tidal eclipse sail cores, 52 high-frequency tidal eclipse sail cores, 61 full-frequency tidal eclipse sail cores, as well as burning phosphorus bones, golden wool, and various crystallized phlogists, this is not only a superposition of numbers, but also an endless devouring of players’ time and money.

    Such a design not only does not make the game easy and enjoyable, but it entangles people’s spirits like an iron chain. Players are forced to run back and forth between dungeons, bosses, challenges and tasks, exhausted by those seemingly necessary collections, as if the endless work and competition in modern society bring spiritual consumption rather than accumulation of happiness.

    The Burning Phosphorus Bone can only be obtained by defeating the Sighing Ancient Dragon. The sighing ancient dragon seems to be a symbol of silence. Its sigh is a mockery of the player’s patience and time, and a hint of the endless desire of mankind. We are like those imprisoned prisoners, trying to break through one level after another, but it is difficult to see the dawn of freedom.

    The Golden Fleece, the sacred object that should symbolize mythology and hope, is set as a purchasable and limited currency commodity in the game. The buying and selling of the Golden Fleece is a metaphor for the commodification of all good things in modern society. Between reality and virtuality, people use real money to exchange for a short-lived sense of superiority, even if that sense of superiority is a false bubble, they still strive to pursue it.

    The four levels of crystallized phlogiston, from impurities to high purity, symbolize the four tests of life. The game requires players to refine from the bottom impurities all the way to the top purity, which seems to imply that only after passing layers of tests can they be recognized. However, this road is a dark road full of exploitation. The higher the player goes, the more he spends and the more exhausted he becomes, just like the endless pressure and competition in life.

    Xia Kong’s weapon cultivation process is also an invisible shackle. The upgrades of the rings are like the weight of the shackles, and each step makes it harder to get rid of the shackles. Players are willing to be bound by these virtual shackles just to exchange for a moment of power. All this is nothing more than capital’s accusation and exploitation of the spirit.

    The complexity of the resonance circuit materials makes people question whether this is for the growth of players or the profits of manufacturers. The “Day of Iris Blooming” can only be obtained through weekly challenges. The limited time and rarity create a false sense of urgency, forcing players to invest more time and energy. The game uses the efficiency-enhancing “Stuffed Meat Tofu” props to hide traps. On the surface, it is a welfare, but in fact it is a pusher for increased consumption.

    The existence of the recharge platform connects the virtual with the real. Players use real money to buy moon phases and discounts, which accelerates the pace of growth, but also more firmly kidnaps the players’ time and money. The so-called discounts and offers are nothing but baits in the capital game, which lure people to keep spending money and forget their original intentions.

    From all this, Mingchao Xiakong’s cultivation system is no longer a simple game design, but the exploitation and alienation of human nature by modern capital. Players are bound by countless numbers and materials and lost in a virtual cage. Games should be spiritual comfort and release, but they have become a bottomless pit of time and wealth.

    Lu Xun once said, “Face the thousands of people pointing at you with a cold brow, and bow your head to be a cow for children.” Today’s players, aren’t they willing to be a cow for the game industry? In this digital cage, they are self-anesthetized and self-comforted, hoping for future growth and breakthroughs, but they forget to ask: What are we paying for?

    Mingchao Xiakong’s world is a true portrayal of the mental state of modern people. The expansion of desires, the squeeze of time, and the shackles of money have eventually become spiritual shackles. What we need is not only growth in the game, but also reflection and awakening on our own situation.

    Perhaps, only when players realize the truth behind this can they break free from the shackles of the virtual world and find their own freedom and happiness.

  • Feng Jin’s journey to find warmth and light in life on the Star Dome Railway

    Feng Jin, the wind-attributed girl from the Star Dome Railway world, is like a gentle spring breeze, with a touch of sorrow and deep hope. Her growth materials, like the bits and pieces picked up on the journey of life, are not only the accumulation of strength, but also the warmth and brightness of the soul.

    On this vast Star Dome Railway, Feng Jin grows up step by step. The “fear that crushes flesh and blood” she needs is like the test of life, the fear and anxiety that make our hearts tremble. However, it is these fears that remind her and us: Although life is sad, it is precisely because of this that it is more precious. Fear is not an obstacle, but a force that drives us to grow. She took on these heavy tests with her weak shoulders, and slowly, she became stronger.

    The material of “courage tearing the chest” is like the flame of the soul, illuminating the road ahead. In life, courage allows us to face the unknown and dare to embrace the future. Every step of Feng Jin’s growth is inseparable from the support of this courage. The tear in the chest is not a symbol of fragility, but a trace of growth, the most authentic mark of life. She uses her own story to teach us how to face the cruelty of the world with a soft heart.

    “Glory baptizes the body” is the light of Feng Jin’s soul, the calmness and composure after going through wind and rain. She does not pursue false fame and profit. Glory is more of an inner peace and satisfaction, and the respect and recognition she gets after hard work. She uses this glory to warm herself and illuminate others. Her exclusive light cone “May the rainbow light stay in the sky forever” is her dream and hope. That light, like a rainbow in the sky, crosses the dark clouds and brings warmth and blessings.

    On the road to growth, she needs to collect “seeds of thinking”, “manas sprouts” and “alayahua”, which seem to be the nutrients of the soul, and the wisdom and strength given to her by life. Life is the accumulation of bits and pieces. Feng Jin teaches us how to cherish every warmth and every touch.

    “The sound of the same wish” and “the footprints of fate” are more like the song and journey of her life, the road she has walked and the marks she has left. In life, each of us has our own footprints, and every experience is engraved with the mark of growth. Feng Jin’s journey, although full of twists and turns, is gentle and beautiful. Her travel materials also include “travel experience” and “adventure records”, which are all witnesses of her rich life and her expectations and confidence in the future.

    This is not just a guide for the growth of characters in the game, but more like a warm poem of life. Feng Jin’s story tells us: no matter how much fear and suffering we encounter, as long as we have courage and hope, life will bloom the most beautiful flowers. She is the wind, the warmth that gently blows our hearts, and the light that penetrates the darkness.

    May Feng Jin’s story, like a lamp, illuminate our way forward. May we all find our own light and heat in our own life trajectory, warm ourselves, and warm others. At the end of the Star Dome Railway is a bright world, just like the one Feng Jin brought us, full of love and hope.

  • Detailed Analysis of the Cultivation Materials of Mingchao Xiakong and Player Strategy Guide

    Xiakong is a five-star resonator that will be launched in Mingchao. Her cultivation process requires a lot of materials, from breakthrough to skill upgrade to special weapon strengthening, each link cannot be ignored. For players who like to cultivate Xiakong, a comprehensive understanding of the materials she needs and how to obtain them is the key to successfully improving her combat power.

    First of all, the breakthrough materials are divided into low-frequency, medium-frequency, high-frequency, full-frequency eclipse sail cores, as well as burning phosphorus bones and golden wool. Breakthrough is a necessary condition for improving Xiakong’s basic level. At each breakthrough stage, players must prepare a corresponding number of eclipse sail cores and burning phosphorus bones, and consume a certain amount of shells. Golden wool is a relatively scarce material, mainly from the collection of Lina Xi Tower and the purchase of the pharmacy, but the weekly purchase quantity is limited. Therefore, players need to plan the breakthrough progress reasonably to avoid the waste of resources caused by the hoarding of materials.

    Burning phosphorus bones are dropped from the sighing ancient dragon. This BOSS is powerful and difficult to defeat. Before challenging the Sighing Ancient Dragon, players should be well prepared and improve their equipment and tactical coordination. Through effective killing, players can not only obtain the Burning Phosphorus Bone, but also accumulate combat experience and build confidence for subsequent challenges.

    Special weapon materials are mainly composed of shackles of different levels and various crystallized phlogists. Special weapon enhancement not only improves Xia Kong’s attack power, but also activates the exclusive skill effect, which is an important way to improve overall strength. Crystallized phlogiston is divided into four levels: impurities, crude extraction, distillation, and high purity. The higher the level of phlogiston, the more difficult it is to obtain. It is usually obtained through the copy “Condensate Field·Confession Abyss”. Players can choose to form a team or challenge alone, and use the copy mechanism to maximize output efficiency.

    In terms of resonance circuit materials, in addition to the tidal sail core and crystallized phlogiston, the special material “Day of Iris Blooming” is also required. This material is obtained through the weekly challenge “Wheel of Fate Fragmentation”, and entering this area requires completing specific mainline tasks. The challenge is difficult, and it is recommended that players improve the team’s strength in advance and bring targeted equipment and skills. The number of iris blooming days is limited, and players should try to complete the challenge every week to ensure that the circuit upgrade is not hindered.

    There is a practical auxiliary prop in the game – stuffed meat tofu. It can increase the material drop rate when defeating the enemy, which lasts for 30 minutes. Proper use of this prop can significantly shorten the time to collect materials. For busy players, it is a good helper to improve efficiency.

    In addition, the game recharge platform Treabar provides preferential discounts. Players can get an additional 3% discount by copying the designated discount code “Treabarblog3ge”. For players who plan to cultivate Xia Kong on a large scale, using the recharge discount can not only save expenses, but also quickly obtain game currency and resources, and improve the game experience.

    In summary, the cultivation of Xia Kong is a systematic project, covering breakthroughs, special weapons, skills and resonance circuits. Players should arrange time and resources reasonably and collect the required materials in stages and in a planned manner. At the same time, they should focus on improving their own operation and tactical levels, especially when challenging high-difficulty dungeons and BOSS, teamwork is particularly critical.

    Finally, Xia Kong is not only a powerful resonator, but her development process also allows players to experience the rich system design and strategic depth of the game. By mastering these material information and acquisition methods, players can maximize Xia Kong’s potential and easily cope with various challenges in the game. Whether you are a novice or an old player, you can find fun and a sense of accomplishment in the process of cultivating Xia Kong.