The composition of Chun: like a flower blooming, like a sword ringing

 

In this once lonely battlefield, the appearance of “Chun” is like a rare flower that has recently bloomed in a classical garden. She is not only a symbol of power, but also interprets a kind of orderly beauty derived from the attribute of “annihilation” with her neat and beautiful structure. In the 1.4 version of “Mingchao”, Chun was given the status of a 5-star resonator. This identity is like an architect who has just entered the hall, laying out a complex combat system with her unique language, and we should appreciate it one by one from its composition and level.

Chun’s basic structure presents a kind of proportional coordination. Her vitality, attack power and defense power form a nearly symmetrical triangle: at level 90, she has 10325 health, 450 attack and 1161 defense. This distribution of data is like the beams and columns of ancient buildings, which not only consider the load-bearing, but also do not ignore the flow and curvature of the lines. The Swift Blade she holds is not a simple weapon, but more like an extended arch beam, supporting all her skills in the battle structure.

Looking at her exclusive weapon “Caichun”, its basic attack power is as high as 588, supplemented by a 24.3% critical hit rate. It is not only the main body of damage output, but its resonance effect is also stacked like a carved bracket. The normal attack enhancement can be stacked up to 5 layers, just like stacking a three-layer eaves building on the bracket, which is both majestic and impressive. This is the beginning of the evolution of all Chun’s skills, like the first stroke of a painting, which must be solid.

Chun’s normal attack, called “breeding”, is like the reproduction of plants, but it also reflects the continuity of the structure. Its five-stage general attack has its own rhythm, and it connects naturally in the continuous beat. It is particularly noteworthy that after the third stage, you can press and hold the general attack to form a continuous attack. This evolution from following the trend to being strong is like climbing from the base to the column body, and then to the flying pick of the bracket. Heavy attacks, aerial skills and falling movements are also in the same vein. They are not a single function, but a collaborative operation of a whole set of structural systems.

When entering the resonance circuit of the “vegetative universe”, the coordination shown by the tsubasa reaches its peak. The red tsubasa · rue and the red tsubasa · bud, these two marks like the mortise and tenon joints in architecture, cooperate with the triggering of the attack, making the entire combat mechanism like a complex but stable mechanical model. The trade-off between skill gain and energy recovery in the bud state is just like the precise calculation of wind load and eaves curvature in ancient buildings, which is reasonable and elegant.

The resonance skill “One Day Flower” is both a visual climax and a structural node. After consuming 70 points of concerto value, the red tsubasa · rue is released instantly, and the bud layer is cleared and converted into actual damage output. This is like a load-bearing component operating at full load, releasing all tension at a critical moment, and the skill replacement between Sheng Huan and An Rui Hunter Heart is more like the squeezing and stretching between the brackets, completing the gorgeous force transfer in a limited space.

Her “Blooming State” is like an opened double-eaved building – the transformation between skills is both tight and flexible. The replacement of attack modes and the reconstruction of actions are all further explorations of the resonance system in the “budding” state. At this time, she almost gave up mobility and focused on releasing extreme firepower in place, just as the ancient building conveys its eternal beauty through the visual center of gravity and weight allocation in its fixed position.

As for the resonant liberation of “Fang Hua Huan Yan”, it is like the chiwen on the roof, which is both the finishing touch and the final chapter. After continuously releasing annihilation damage, everything seems to return to the petals falling, rather than a single violent catharsis. This is a kind of restrained magnificence, like the colorful paintings on the halls of the Qing Dynasty, which are not surface decorations, but the continuation of the internal structure and spirit.

Not to be ignored are the variation skills “Eight Thousand Spring and Autumn” and the extended skills “Entanglement”. These two are like the positioning of columns and the details of finishing in the construction process, one lays the framework, the other embellishes the layers; one determines the style, the other expounds the charm. Her inherent skills “Hotbed” and “Occupy” reflect a stable fighting temperament, just like the trade-off between the choice of wood and stone, one seeks solidity, the other seeks texture.

Finally, in her resonant chain, various enhancement mechanisms and state triggers are not abrupt, just like the pavilions and towers are connected by corridors, with a continuous momentum. Chun is not built for display, but an existence where the inner power is extended through an elegant structure.

As her name, as her shape, like the grafting between nature and construction art, every battle of Chun is not a violent performance, but a quiet tribute to the beauty of order.